For example, I have a large thunder sheet which I “play” with a violin bow and a metal poker to give dramatic underscoring to some of the characters and their movements. It’s quite unusual to have a live sound effects artist performing on stage, and even more so with opera, however “Die Zauberflöte” is written with scenes of dialogue interspersed among the arias and we enhance the atmosphere of those scenes with the sound design. Revival of The Magic Flute at the English National Opera later that year - would I be interested in joining the team? It didn’t take long for me to say yes!Ĭan you explain how you augment them with sound effects? He explained they were looking for a foley artist for the I was performing in a show at the National Theatre’s temporary space, The Shed, back in summer 2013 and Max Webster, Simon McBurney’s stage assistant at the time, saw it and spoke to me afterwards.
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